My top 10 are:
Mary Halvorson Septet - Illusionary Sea (Firehouse 12)
Ms. Halvorson takes yet another step forward in an already remarkable career. In a lineage with Point of Departure.
Ms. Halvorson takes yet another step forward in an already remarkable career. In a lineage with Point of Departure.
Convergence Quartet – Slow & Steady (No Business)
Taylor Ho Bynum and Alexander Hawkins both figure again on this list, and along with Dominic Lash and Harris Eisenstadt, reinvent a traditional-sounding trumpet/piano/bass/drums lineup.
Taylor Ho Bynum and Alexander Hawkins both figure again on this list, and along with Dominic Lash and Harris Eisenstadt, reinvent a traditional-sounding trumpet/piano/bass/drums lineup.
Taylor Ho Bynum Sextet & 7-tette – Navigation (Firehouse 12)
Fascinating to hear how he approaches recasting a set of materials over four performances outside of his work with Braxton.
Fascinating to hear how he approaches recasting a set of materials over four performances outside of his work with Braxton.
Drew Gress – The Sky Inside (Pirouet)
Compelling compositions and arrangements from Gress, and compelling performances from his long-time collaborators.
Compelling compositions and arrangements from Gress, and compelling performances from his long-time collaborators.
Craig Taborn – Chants (ECM)
A dark, complex record that with mysterious depths beneath the surface.
A dark, complex record that with mysterious depths beneath the surface.
Alexander Hawkins – Song Singular (Babel Label)
The record that puts Hawkins in the same league as Melford, Taborn, Fujii, etc.
Ralph Alessi – Baida (ECM)
Alessi seems in total command of his horn and his approach, and he sounds like he’s having fun as well.
Satoko Fujii Trio – Spring Storm (Libra)
Another winning trio record.
Francois Houle/Havard Wiik – Aves (Songlines)
A beautiful dialogue between clarinet and piano.
Nate Wooley – (Sit In) The Throne of Friendship (Clean Feed)
Wooley has some pretty wild freer recordings, but I like him best when he balances composition with unique arrangements.
Wooley has some pretty wild freer recordings, but I like him best when he balances composition with unique arrangements.
Honorable mentions:
Ingrid Laubrock Anti-House - Strong Place (Intakt)
Gabriella Friedli Trio – Started (Intakt)
Samuel Blaser/Benoit Delbecq/Gerry Hemingway - Fourth Landscape (Nuscope)
Harris Eisenstadt – Golden State (Songlines)
Tim Berne's Snakeoil - Shadow Man (ECM)
Satoko Fujii – Gen Himmel (Libra)
Full results of Mr. Davis' poll will be posted in the coming days at www.nprmusic.org.
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