Stephen Gauci – Tenor saxophone
Kirk Knuffke – Cornet
Ken Filiano – Double bass
I like to pull for the underdog, and I suppose that's why I like to check out what Stephen Gauci is up to from time to time. I'm not sure why I feel that way about him; perhaps it's because he came to music as a profession relatively late in life (I’ve read that his first studio session was at age 35), or perhaps because you don't see his name a lot.
Gauci has put out some albums on the CIMP label, displaying promise but also falling victim to the drawbacks of the CIMP aesthetic: A seeming lack of preparation and a tendency to let ideas run past the point of diminishing returns. But he was impressive on 2010’s SKM (Clean Feed) with Kris Davis and Michael Bisio, and now he’s part of another drummer-less trio on Chasing Tales.
Six of the tracks are completely improvised, while Gauci contributes three compositions, and Knuffke and Filiano one each. The composed tracks have interesting arrangements and are crisply executed, with enough air in them to encourage dialog between the players. It’s a tribute to the group that the quality is consistent across all the tracks, whether composed or improvised.
Gauchi has sometimes come across as tentative to these ears, perhaps thinking a little too much, but he sounds confident and in control here, more fluid than I’ve ever heard him. Knuffke is so consistent; I sang his praises on Max Johnson’s The Invisible Trio, and he delivers here as well. Like Gauci, he doesn't feel the need to use a lot of extended techniques to make his point.
A few years ago I was on the fence about Ken Filiano, but he seems to get better and better. I still think Dreams from a Clown Car (Clean Feed) was criminally overlooked, and he's the glue for this record, whether walking under the other two players with a full, rich tone, adding his commentary, or playing unison phrases.
This album makes me smile, and who can't use a little of that in their lives? Great spirit, great interaction, mutual respect. It's the little record that could.