8/19/09 What I'm Listening To

Joseph Jarman, Song For

Roscoe Mitchell Sextet, Sound

Sidney Bechet, Master Musician

Tina Brooks, True Blue

Stetsasonic, Sally (12" single)

Eazy-E, The Boyz-N-The Hood/Fat Girl (12" single)

Some Bid'ness

I'm in the process of listening to albums that I haven't played in literally years, and I pulled Julius Hemphill's 'Coon Bid'ness (Arista Freedom) from the shelf this morning. I always liked Julius' alto, but I had forgotten how great the compositions are on this recording. They defy easy categorization, and share a fascination with timbre and a sense of occasional whimsy with the AACM membership. The line-up is pretty great too: (Black) Arthur Blythe, Hamiett Bluiett, Baikida E. J. Carroll, Abdul Wadud on the funkiest cello you'll ever hear, Barry Altschul, Philip Wilson.

The Hard Blues, indeed.

8/07/09 What I'm Listening To

Eberhard Weber, Yellow Fields

Eberhard Weber, Silent Feet

Jimmy Woods, Conflict

One Night With Blue Note Preserved, Vol. 2

Frank Lowe, Fresh

Oliver Lake, Holding Together

I Like Conflict

The album, that is. (rim shot!) I'm speaking of altoist Jimmy Woods' 1963 album Conflict, recorded for the Contemporary label and featuring an impressive lineup of Harold Land on tenor, Carmell Jones on trumpet, Andrew Hill on piano, George Tucker on bass and Elvin Jones on drums. This was only Woods' second session as a leader but it would prove to be his last, for reasons of which I'm unaware.

Conflict features six Woods originals; he also arranged all the selections. I originally bought the album used (for $35.00, gulp) when I was going through my obsessive Hill collecting phase. Hill certainly doesn't disappoint: Even though it was early in his career, his unique approach to rhythm and harmony are a positive disruption to the bop-influenced compositions. But Woods impresses as well, as he has an urgent, keening quality to his solos that set him apart from the pack. His tart tone and intervallic leaps, particularly on Apart Together and Look to Your Heart, remind me of Eric Dolphy, and in spots, mid-70s Braxton.

Doe anyone know what happened to him? Seems a shame he didn't record more.

A Tribute to Tribute

There's an interesting thread over at the ECM Forum on JazzCorner.com about overlooked gems on that label, records that received little fanfare when they were first released. One of my nominations is drummer Paul Motian's Tribute (ECM 1048), issued in 1975 and featuring Carlos Ward on alto sax, Sam Brown and Paul Metzke on guitars, and Charlie Haden on bass. I bought the album new for $5.79 (!) and I love the combination of Ornette's influence and the deep but free groove that Motian and Haden set up. It's some of my favorite Haden, helped in part by the great bass sound achieved by engineer Tony May.

Fortunately, it has been reissued on CD and is available on ECM's site.

8/05/09 What I'm Listening To

Sonny Clark, Sonny's Crib

Sonny Rollins, The Bridge

Bobby Hutcherson, The Kicker

Bobby Hutcherson, Dialogue

Hancock, et al, In Concert Volume 1